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TRAVEL AFRICA - Breathing Space: The Makgadikgadi

  • 16 hours ago
  • 2 min read

Travel Africa Magazine's latest edition, Issue 112, is dedicated to the theme of Breathing Space- those rare places in the world that seem to slow time, quiet the mind and remind us of the value of simply being present.

Few landscapes embody that idea more completely than the Makgadikgadi Pans of Botswana.


Stretching across an ancient basin that was once home to one of Africa's largest inland lakes, the Makgadikgadi is a landscape of immense scale and profound simplicity. Here, horizons dissolve into shimmering heat haze, distances become difficult to judge, and the distinction between earth and sky often seems to disappear altogether. It is a place defined not by what is there, but by what is absent: noise, clutter, distraction and urgency.


For many visitors, the first encounter with the pans is almost disorientating. The sheer openness of the landscape challenges our normal sense of perspective. Standing on the endless salt crust, surrounded by nothing but light and sky, one begins to appreciate just how rarely we experience true emptiness in the modern world.


Yet from above, the Makgadikgadi reveals an entirely different personality.

What appears barren from the ground transforms into a landscape of subtle textures, delicate patterns and extraordinary natural artistry. Seasonal waterways carve elegant lines across the surface. Isolated islands emerge from the white expanse like forgotten worlds. Migrating herds of zebra and wildebeest become tiny brushstrokes moving across an immense canvas. The geometry of the pans, shaped by wind, water and time, creates compositions that feel almost abstract.


It is this perspective that I sought to capture in a collection of aerial photographs now featured in an eight-page portfolio, Breathing Space, in the latest edition of Travel Africa Magazine.


The photographs were made over several visits to the region and represent my ongoing fascination with landscapes that reveal their true character only when viewed from above. Aerial photography has an extraordinary ability to alter our understanding of scale. It reminds us how small we are in relation to the landscapes we inhabit, while simultaneously revealing details and patterns that would otherwise remain invisible.


The Makgadikgadi is one of the finest examples of this paradox. It is both immense and intricate, empty and full, harsh and beautiful.


Perhaps that is why the theme of Breathing Space feels so appropriate.

In an increasingly fast-moving and connected world, places like the Makgadikgadi invite us to pause, to look more carefully and to reconnect with the rhythms of the natural world.


I hope the images convey even a fraction of what makes the Makgadikgadi so special. Not just its beauty, but its scale, its stillness and its ability to inspire a sense of wonder that lingers long after you leave.

The latest edition of Travel Africa Magazine is available now, and I encourage anyone with a love for wild places, photography and African travel to seek out a copy.


My sincere thanks to the editors for including my work and for continuing to champion thoughtful, authentic storytelling from across the continent.



 
 
 

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